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AuthorWelch, Christina-
Date2014-
Other Identifierhttps://www.lib.latrobe.edu.au/ojs/index.php/wfb/article/view/471-
Other Identifierhttp://repository.winchester.ac.uk/363/-
URIhttps://www.amad.org/jspui/handle/123456789/60647-
DescriptionThis paper explores a recent manifestation of the Death and the Maiden art genre through an analysis of coffin calendar art. ‘Death and the Maiden’, in Northern European art, generally features a young woman alone in the company of Death. This genre of art has a long history and the early images portrayed Death as a predatory male. The first of these dates to the proto-Reformation artist, Albrecht Dürer (1471-1528). His ‘Young Woman Attacked by Death (The Ravisher)’ (c. 1495) clearly situates Death as a male sexual predator, and this theme can be seen in the contemporary artworks of Hans Baldung (alias Grien) (c1484-1545), Niklaus Manuel (Deutsch) (c1484-1530), and Hans Sebald Beham (1500-1550); these proto-Reformist (prior to 1517)/early-Reformist (post 1517) artists produced erotic images in this genre which typically situated the maiden as a young fecund woman, and Death as a letch, either and most often imaged as a decomposing body, or occasionally an expressive skeleton.-
Formattext-
Languageeng-
Rightscc_by_nc_nd_4-
KeywordsEuropean history-
KeywordsModern history 1500-1599-
KeywordsModern history 1600-1699-
KeywordsModern history 1950-1999-
KeywordsModern history 2000-2099-
KeywordsMedieval history-
KeywordsHistory of religions-
KeywordsHistory of art-
KeywordsTheology & religious studies not elsewhere classified-
Dewey Decimal Classification940-
TitleCoffin Calendar Girls: A New Take on an Old Trope-
TypeArticle-
TypePeerReviewed-
AMAD ID566805-
Year2014-
Open Access1-
DisciplineGeschichte-
Appears in Collections:BASE (Bielefeld Academic Search Engine)
General history of Europe


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