AMAD
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| Datum: | 2014 |
| Titel: | Coffin Calendar Girls: A New Take on an Old Trope |
| Autor*in: | Welch, Christina |
| Beschreibung: | This paper explores a recent manifestation of the Death and the Maiden art genre through an analysis of coffin calendar art. ‘Death and the Maiden’, in Northern European art, generally features a young woman alone in the company of Death. This genre of art has a long history and the early images portrayed Death as a predatory male. The first of these dates to the proto-Reformation artist, Albrecht Dürer (1471-1528). His ‘Young Woman Attacked by Death (The Ravisher)’ (c. 1495) clearly situates Death as a male sexual predator, and this theme can be seen in the contemporary artworks of Hans Baldung (alias Grien) (c1484-1545), Niklaus Manuel (Deutsch) (c1484-1530), and Hans Sebald Beham (1500-1550); these proto-Reformist (prior to 1517)/early-Reformist (post 1517) artists produced erotic images in this genre which typically situated the maiden as a young fecund woman, and Death as a letch, either and most often imaged as a decomposing body, or occasionally an expressive skeleton. |
| URI: | https://www.amad.org/jspui/handle/123456789/60647 |
| Quelle: | https://www.lib.latrobe.edu.au/ojs/index.php/wfb/article/view/471 http://repository.winchester.ac.uk/363/ |
| AMAD ID: | 566805 |
| Enthalten in den Sammlungen: | BASE (Bielefeld Academic Search Engine) General history of Europe |
