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AuthorBergua Cavero, Jorge-
Date2013-
Other Identifierhttp://anabases.revues.org/4347-
URIhttps://www.amad.org/jspui/handle/123456789/82520-
DescriptionL’article envisage le problème général de l’imitation des modèles classiques dans le cadre spécifique de la création musicale occidentale. En partant de la situation très singulière de la documentation dans ce champ artistique, on propose un bilan critique (et une actualisation de la bibliographie) sur les aspects concrets de cette imitation et ses limites, à la fois dans le monde médiéval et, avec une ambition très différente, dans l’Europe de la Renaissance et au-delà. ; The article deals with the general problem of the imitation of classical models in the specific framework of western musical creation. Starting from the very peculiar situation concerning the documentation in this peculiar artistic field, the author proposes a critical balance (as well as a bibliographical update) of the concrete aspects of this imitation and its limits, at the same time in the Middle Ages and, with a very different ambition, in Renaissance Europe and beyond.-
Languageeng-
Rightsinfo:eu-repo/semantics/openAccess-
Keywordsclassical tradition in the Middle Ages-
Keywordsmusical Humanism-
KeywordsVirgil-
KeywordsVirgile-
KeywordsRenaissance-
KeywordsHumanisme musical-
Keywordsmusique grecque ancienne-
KeywordsHorace-
KeywordsImitation-
Keywordsancient Greek music-
Keywordstradition classique au Moyen Âge-
Dewey Decimal Classification940-
TitleInvention and Imitation: an overview of musical settings of Classical poetry and the rediscovery of Ancient music, from the Middle Ages to the Renaissance-
Typearticle-
Typeinfo:eu-repo/semantics/article-
AMAD ID683530-
Year2013-
Open Access1-
Appears in Collections:BASE (Bielefeld Academic Search Engine)
General history of Europe


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