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DC FieldValueLanguage
AuthorIrena Arsić-
Date2017-
Other Identifierhttps://doaj.org/article/88b6e68d40654339937232e1ee8eee1a-
Other Identifierhttps://doi.org/10.21554/hrr.091709-
URIhttps://www.amad.org/jspui/handle/123456789/82433-
DescriptionModern interpretation methods of the most important works of European Renaissance provide new opportunities in the interpretation of comedies of Dubrovnik writer Marin Držić. This especially applies to the theory of the new historicism, whose most important representative Stephen Greenblatt in his classic work Renaissance self-fashioning, provides an opportunity to examine Držić and his work according to this theory that deals withthe identity of the Renaissance creators, which was also the goal of this work. In this way new and more detailed analysis of Držić pastoral, farce and Plautuscomedy was opened, which will prove againthe classical quality and timeless value of the dramatic work of the greatest renaissance writer in our region.-
Languageeng-
Keywordssubversive literature-
KeywordsDubrovnik-
KeywordsRenaissance-
KeywordsMarin Držić-
Keywordsidentity-
Keywordsnew historicism-
Keywordsself-fashioning-
KeywordsEducation (General)-
Dewey Decimal Classification940-
TitleSELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)-
Typearticle-
AMAD ID677455-
Year2017-
Open Access1-
DisciplineAllgemeine und vergleichende Sprach- und Literaturwissenschaft-
Appears in Collections:BASE (Bielefeld Academic Search Engine)
General history of Europe


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