AMAD
„Archivum Medii Aevi Digitale - Interdisziplinäres Open-Access-Fachrepositorium und Wissenschaftsblog für Mittelalterforschung‟Zur Einreichung
| Datum: | 2017 |
| Titel: | Southern Netherlands Fairs and the Development of the Early Modern Art Markets (15th-17th c.) |
| Mitwirkende: | Université de Lyon-Université de Lyon-Université Lumière - Lyon 2 ( UL2 ) -École normale supérieure - Lyon ( ENS Lyon ) -Université Pierre Mendès France - Grenoble 2 ( UPMF ) -Université Grenoble Alpes ( UGA ) -Centre National de la Recherche Scientifique ( CNRS ) -Université Jean Moulin - Lyon III ( UJML ) Université de Lyon-Université de Lyon-Université Lumière - Lyon 2 ( UL2 ) -École normale supérieure - Lyon ( ENS Lyon ) -Université Pierre Mendès France - Grenoble 2 ( UPMF ) -Université Grenoble Alpes ( UGA ) LAboratoire de Recherche Historique Rhône-Alpes - UMR5190 ( LARHRA ) Centre National de la Recherche Scientifique ( CNRS ) -Université Jean Moulin - Lyon III ( UJML ) Université de Lyon-Université de Lyon-Université Lumière - Lyon 2 ( UL2 ) -École normale supérieure - Lyon ( ENS Lyon ) -Université Pierre Mendès France - Grenoble 2 ( UPMF ) -Université Grenoble Alpes ( UGA ) Art, images, sociétés ( LARHRA ARTIS ) LAboratoire de Recherche Historique Rhône-Alpes - UMR5190 ( LARHRA ) Centre National de la Recherche Scientifique ( CNRS ) -Université Jean Moulin - Lyon III ( UJML ) The International Art Market Studies Association |
| Autor*in: | Sophie , Raux |
| Beschreibung: | Key note lecture ; International audience ; In the the Southern Netherlands, the art professions depended on a long-established corporate organisation whose regulations restricted exhibitions and sales and also severely curtailed imports of «foreign» artefacts. While guilds statutes only allowed permanent exhibition spaces and salerooms for the workshop of a town’s free master, it was nevertheless possible to sell paintings and works of art at annual fairs. Beginning in the second half of the 15th century, however, the rising export of paintings to foreign venues meant that the search for public exhibitions and sales spaces became crucial in making this production accessible to an ever-greater public. Providing important cyclical and occasional distribution channels, fairs became the pre-eminent outlets amidst the increasing demand for ready made art, both at the local and the international level.This lecture will focus on the following issues:- What was the impact of these fairs on the production and on the distribution of works of art, both at a local and international level?- How did the commercial rationale lead to a gradual specialization and a concentration of the supply? This development, still not entirely understood in detail, resulted in a process of autonomization of the art market, leading to the remarkable establishment of the panden, permanent art sale spaces open to the public.- What is the relationship between the diminished importance of fairs for the art market and the concurrent emergence of professional art dealers during the second half of the 16th century? Dealers set up alternative means of occasional sales and events organized in the context of fairs, first taking the shape of lotteries and later developing into auctions. |
| URI: | https://www.amad.org/jspui/handle/123456789/81474 |
| Quelle: | https://halshs.archives-ouvertes.fr/halshs-01968561 |
| AMAD ID: | 611890 |
| Enthalten in den Sammlungen: | BASE (Bielefeld Academic Search Engine) General history of Europe |
