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AuthorRyszadr Mirek-
Date2014-
Other Identifierhttps://doaj.org/article/912e046f4a1d4e0489b8185338b32552-
URIhttps://www.amad.org/jspui/handle/123456789/58611-
DescriptionMy goal here is to provide a detailed analysis of the methods of inference that are employed in De prospectiva pingendi. For this purpose, a method of natural deduction is proposed. The treatise by Piero della Francesca is a manifestation of a union between the fine arts and the mathematical sciences of arithmetic and geometry. He defines painting as a part of perspective and, speaking precisely, as a branch of geometry, which is why we find advanced geometrical exercises here.-
Languageger-
Languageeng-
Languagepol-
Keywordsphilosophy of art-
Keywordsperspective in painting-
Keywordsgeometry in art perception-
Keywordsreasoning and aesthetic perception-
KeywordsPhilosophy. Psychology. Religion-
Dewey Decimal Classification940-
TitleApplication of natural deduction in Renaissance geometry-
Typearticle-
AMAD ID677468-
Year2014-
Open Access1-
DisciplinePhilosophie-
Appears in Collections:BASE (Bielefeld Academic Search Engine)
General history of Europe


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