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| DC Field | Value | Language |
|---|---|---|
| Author | Portnova, Tatiana V. | - |
| Date | 2018 | - |
| Other Identifier | https://www.rmlconsultores.com/revista/index.php/crv/article/view/1807 | - |
| URI | https://www.amad.org/jspui/handle/123456789/82194 | - |
| Description | The article is devoted to the study of the principles of stage adaptation of the famous painting "Spring" by S. Botticelli (1482, "Uffizi Gallery, Florence") in the context of the theatrical culture of the early Renaissance and Florence, where the artist lived and worked. The interrelations at the level of the structural elements of the composition and the whole are traced. The semantic and artistic consistency of the characters is considered, the methods of forming their images within the framework of S. Botticelli's style are revealed. | - |
| Format | application/pdf | - |
| Language | eng | - |
| Rights | Copyright (c) 2018 Tatiana V. Portnova ; http://creativecommons.org/licenses/by-nc-nd/4.0 | - |
| Keywords | artistic image | - |
| Keywords | character | - |
| Keywords | spring | - |
| Keywords | mythology | - |
| Keywords | stage adaptation | - |
| Keywords | Renaissance | - |
| Keywords | S. Botticelli | - |
| Keywords | Social Sciences | - |
| Dewey Decimal Classification | 940 | - |
| Title | Theatrical performance in the artistic culture of the renaissance (on the example of the painting by s. Botticelli "spring") | - |
| Type | info:eu-repo/semantics/publishedVersion | - |
| Type | Educación | - |
| Type | info:eu-repo/semantics/article | - |
| AMAD ID | 681123 | - |
| Year | 2018 | - |
| Open Access | 1 | - |
| Appears in Collections: | BASE (Bielefeld Academic Search Engine) General history of Europe | |
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