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| DC Element | Wert | Sprache |
|---|---|---|
| Mitwirkende | Andrew A. King | - |
| Mitwirkende | Patricia A. Suchy | - |
| Mitwirkende | Michael S. Bowman | - |
| Mitwirkende | Leonard J. Stanton | - |
| Mitwirkende | Ruth Laurion Bowman | - |
| Mitwirkende | Leslie A. Wade | - |
| Autor*in | Cavenaugh, Gregory Lee | - |
| Datum | 2004 | - |
| Quelle | http://etd.lsu.edu/docs/available/etd-04132004-121421/ | - |
| URI | https://www.amad.org/jspui/handle/123456789/66039 | - |
| Beschreibung | This study uses Mikhail Bakhtin's chronotope, which is the informing principle of one's experience of space and time, to explore different relations among space, time, actors, and audience in medieval theatre. Relations between the material and spiritual worlds as understood in the Middle Ages are considered in the context of relations between performers and audience members with two goals. First, I explore how the ontological status of the metaworld created through performance changed in the context of specific chronotopes. Second, I explore how diverse religious discourses affected medieval modes of representation. This study posits three chronotopes of performance informing medieval theatrical experience. In the sacramental chronotope, disciplined bodies moved through spiritual geographies in Latin liturgical dramas to bring participants into contact with an ontologically superior divine world. The consubstantial chronotope operated from an ontology of self-sufficiency locating power in the individual's body rather than in a superior being. Within the consubstantial chronotope, performance, and representation more generally, was understood as a tool for the contemplation of ideas rather than as a vehicle for bringing performers into contact with an ontologically substantive world. The transubstantial chronotope works within an ontology of community that constructs performances as sites of cultural contestation and engagement. The communal mystery plays performed on Corpus Christi day in medieval England created a space and time for communicative bodies to tell shared narratives in a ritual effort to strengthen, purify, and heal souls. Performance within the transubstantial chronotope was uniquely open to metalinguistic and dialogic play, allowing the imaginative metaworld of the performance to function as innerly persuasive discourse possessing its own ontological weight and agency. Having explored these three chronotopes, this study examines the heterochronotopic quality of medieval English morality plays. I conclude with an analysis of a recent production of the Chester mystery cycle, Yimmimingaliso: The Mysteries. Using a variety of different languages in performance, as well as different languages of performance, this production evoked something of the transubstantial chronotope of medieval England. | - |
| Format | application/pdf | - |
| Sprache | eng | - |
| Rechte | unrestricted ; I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. | - |
| Schlagwörter | Speech Communication | - |
| Dewey-Dezimalklassifikation | 940 | - |
| Titel | Flesh and Spirit Onstage: Chronotopes of Performance in Medieval English Theatre | - |
| Typ | text | - |
| AMAD ID | 572979 | - |
| Jahr | 2004 | - |
| Open Access | 2 | - |
| Enthalten in den Sammlungen: | BASE (Bielefeld Academic Search Engine) General history of Europe | |
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