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| DC Element | Wert | Sprache |
|---|---|---|
| Mitwirkende | Meek, Andrew | - |
| Mitwirkende | Spring, Marika | - |
| Mitwirkende | Saunders, David | - |
| Autor*in | Serendan, Cristina | - |
| Autor*in | Meek, Andrew | - |
| Autor*in | Hradilova, Janka | - |
| Autor*in | Cannataci, Joseph A. | - |
| Autor*in | Hradil, David | - |
| Autor*in | Saunders, David | - |
| Autor*in | Spring, Marika | - |
| Datum | 2013 | - |
| Quelle | https://www.um.edu.mt/library/oar//handle/123456789/17711 | - |
| URI | https://www.amad.org/jspui/handle/123456789/64919 | - |
| Beschreibung | Financial support from the Ministry of Culture of the Czech Republic (project No. DF12P01OVV048) and the MATERIALS project, University of Groningen, is kindly acknowledged. ; This contribution focuses on the identification of the materials and technological characteristics of painting workshops active in Transylvania in the first decades of the sixteenth century. The first group of workshops considered was located in Sighişoara, one of which is known to have been run by Johannes Stoss. The altarpieces in the second group are attributed to the workshop of Vincentius, a painter in Sibiu, who signed and dated several altarpieces and one fresco painting still preserved in the region. Extensive research carried out during the past five years has brought to light important new evidence regarding particular features and similarities in the preparatory layers, gilding techniques and paint application. Complementary analytical methods and close visual examination were used to identify the structure and the composition of the grounds, poliments and precious metals on the painted panels. The results point to technological features common to the workshops, such as red poliments pigmented with iron oxides and cinnabar, and to complementary ‘fingerprint’ characteristics that can occasionally be corroborative, including gilding techniques associated with coloured glazes, red underdrawing and particular techniques of paint application. ; peer-reviewed | - |
| Sprache | eng | - |
| Rechte | info:eu-repo/semantics/openAccess ; The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder | - |
| Schlagwörter | Art -- Technique -- Congresses | - |
| Schlagwörter | Renaissance -- Romania | - |
| Schlagwörter | Transylvania (Romania) | - |
| Schlagwörter | Painting -- Study and teaching | - |
| Schlagwörter | Renaissance -- Congresses | - |
| Schlagwörter | Art | - |
| Dewey-Dezimalklassifikation | 940 | - |
| Titel | Early Renaissance altarpieces in Transylvania : materials and technological characteristics ; The Renaissance workshop : the materials and techniques of Renaissance art | - |
| Typ | bookPart | - |
| AMAD ID | 695722 | - |
| Jahr | 2013 | - |
| Open Access | 1 | - |
| Enthalten in den Sammlungen: | BASE (Bielefeld Academic Search Engine) General history of Europe | |
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