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DC Element | Wert | Sprache |
---|---|---|
Autor*in | Cioni, Fernando | - |
Datum | 2018 | - |
Quelle | https://boap.uib.no/index.php/emco/article/view/1508 | - |
Quelle | https://doi.org/10.15845/emco.v4i1.1508 | - |
URI | https://www.amad.org/jspui/handle/123456789/127560 | - |
Beschreibung | Elizabethan drama used a variety of introductory scenes which can be defined as inductions, provided that we distinguish their dramatic and theatrical functions. In the theatre, the induction is a dramatic device, metatheatrical and metadramatic, which emphasizes the nature of the play. Richard Hosley argues that it is “a short dramatic action introducing a full-length play, normally performed by two or more actors and creating a fictional situation different from that of the play itself.” This article contains a survey of such inductions in the English theatre with parallels in the Italian tradition. The article also contains as an appendix a detailed overview of inductions and dumbshows in English plays. | - |
Format | application/pdf | - |
Format | text/html | - |
Sprache | eng | - |
Rechte | Copyright (c) 2018 Fernando Cioni ; http://creativecommons.org/licenses/by/4.0 | - |
Dewey-Dezimalklassifikation | 940 | - |
Titel | Refashioning Italian Theatrical and Dramatic Conventions: Prologues, Epilogues and Inductions in Early Modern English Drama | - |
Typ | Peer-reviewed article | - |
Typ | info:eu-repo/semantics/publishedVersion | - |
Typ | info:eu-repo/semantics/article | - |
AMAD ID | 611394 | - |
Jahr | 2018 | - |
Open Access | 1 | - |
Enthalten in den Sammlungen: | BASE (Bielefeld Academic Search Engine) General history of Europe |
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