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"Archivum Medii Aevi Digitale - Specialized open access repository for research in the middle ages"To submission
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| DC Field | Value | Language |
|---|---|---|
| Author | Svolacchia, Sara | - |
| Date | 2018 | - |
| Other Identifier | https://doi.org/10.13128/LEA-1824-484x-24421 | - |
| Other Identifier | http://www.fupress.net/index.php/bsfm-lea/article/download/24421/21924 | - |
| Other Identifier | http://www.fupress.net/index.php/bsfm-lea/article/view/24421 | - |
| URI | https://www.amad.org/jspui/handle/123456789/109562 | - |
| Description | French reception of Dante throughout the centuries is generally marked by rejection, at least until the first generation of Romantic poets, led by Madame de Staël, rediscovered the Divine Comedy through Rivarol’s translation. Dante’s fame, however, remained mostly connected to the idea of a dark and unreadable poet. This article aims at showing how Jacqueline Risset’s translation of the Divine Comedy, as well as her essay Dante écrivain, might have led the way to a new vision of the poem. | - |
| Format | application/pdf | - |
| Language | ita | - |
| Rights | The authors retain all rights to the original work without any restrictions.License for Published Contents Licence scheme | Legal codeLEA allows open access to its scientific data, assuming that providing research results in open access is instrumental to improving global knowledge exchange.There are no charges for submission or peer-review (APC).All essays in the journal are published under “Attribution-Non Commercial-No Derivatives 4.0 International” (CC-BY-NC-ND 4.0).The Creative Common “BY-NC-ND” Licence permits use, distribution and reproduction in any medium, provided the original work is properly cited as specified by the author or licensor, that is not used for commercial purposes and no modifications or adaptations are made.Reference details should also include the DOI code of the full issue or of any single essay, specifying that it is the first edition.Authors retain copyright in their essays.License for MetadataThis Journal published articles metadata are dedicated to the public domain by waiving all publisher's rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, distribute and perform the work, without asking permission.Licence scheme | Legal code | - |
| Keywords | Dante; Divine Comedy; France; Jacqueline Risset; translation | - |
| Dewey Decimal Classification | 940 | - |
| Title | Storia di una riscoperta: Dante, la Francia e Jacqueline Risset | - |
| Type | info:eu-repo/semantics/article | - |
| Type | info:eu-repo/semantics/publishedVersion | - |
| AMAD ID | 600915 | - |
| Year | 2018 | - |
| Open Access | 1 | - |
| Appears in Collections: | BASE (Bielefeld Academic Search Engine) General history of Europe | |
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