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| DC Field | Value | Language |
|---|---|---|
| Author | Cartolari, Matilde | - |
| Date | 2016 | - |
| Other Identifier | https://doi.org/10.13138/2039-2362/1390 | - |
| Other Identifier | http://riviste.unimc.it/index.php/cap-cult/article/view/1390 | - |
| URI | https://www.amad.org/jspui/handle/123456789/109085 | - |
| Description | La mostra di Paolo Veronese si svolse a Venezia nel 1939 sotto la direzione di Rodolfo Pallucchini. Promuovendo una ricognizione materiale e critica dell’opera del maestro, la mostra fu l’occasione per effettuare una massiccia campagna di restauri ad opera del bergamasco Mauro Pellicioli e della sua squadra di collaboratori. Agendo sul duplice fronte della museografia e del restauro, Pallucchini si pose in dialogo con le parallele definizioni elaborate in sede istituzionale da Guglielmo Pacchioni e Giulio Carlo Argan. Il presente saggio intende offrire, attraverso materiale archivistico inedito, un’analisi del ruolo della mostra di Veronese nel contesto nazionale e internazionale, ricostruendo con un approccio interdisciplinare le dinamiche teoriche e operative che ne animarono lo svolgimento.Veronese exhibition took place in Venice in 1939 under the direction of Rodolfo Pallucchini. While promoting both material and critical examination of Veronese’s work, the exhibition was an opportunity to undertake a massive restoration, performed by Mauro Pellicioli and his team of collaborators. Pallucchini’s museographical and conservative program was in close relation with the theories promoted by Guglielmo Pacchioni and Giulio Carlo Argan in public administration. This paper intends to offer, through unpublished archival evidence, a detailed analysis of Veronese exhibition in relation to national and international context, in order to understand with an interdisciplinary approach both its theoretical and practical aspects. | - |
| Format | application/pdf | - |
| Language | ita | - |
| Rights | Copyright (c) 2016 IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage ; http://creativecommons.org/licenses/by-sa/4.0 | - |
| Keywords | Museologia e Critica Artistica e del Restauro (L-Art/04) | - |
| Dewey Decimal Classification | 940 | - |
| Title | «A Ca’ Giustinian fu tutto diverso». La mostra di Paolo Veronese a Venezia (1939) / «A Ca’ Giustinian fu tutto diverso» (At Ca’ Giustiniani eveything was different). Paolo Veronese exhibition in Venice (1939) | - |
| Type | info:eu-repo/semantics/publishedVersion | - |
| Type | info:eu-repo/semantics/article | - |
| AMAD ID | 663370 | - |
| Year | 2016 | - |
| Open Access | 1 | - |
| Appears in Collections: | BASE (Bielefeld Academic Search Engine) General history of Europe | |
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